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OALib Journal期刊
ISSN: 2333-9721
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Revista Brasileira de Estudos da Presen？a
ISSN Print: 2237-2660
ISSN Online:
主页:
http://seer.ufrgs.br/presenca
分享:
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The Century of Jerzy Grotowski
Antonio Attisani
Staff
Gilberto Icle
Brook avec Grotowski: testimony of life and art of a certain Pole
Larissa Elias
A Desire Without an Object
Mario Biagini
The Inner Man and his Deed: Jerzy Grotowski and the legacy of Adam Mickiewicz and polish romanticism
Kris Salata
Editorial
Gilberto Icle
,
Celina Nunes de Alcantara
,
Marcelo de Andrade Pereira
,
Márcio Müller
A Diary of Genesis: L’Atelier Volant by Valère Novarina
Jean-Marie Thomasseau
Poor Theatre: goal or path?
Lidia Olinto
Deconstructing Grotowski
Dorys Faria Calvert
Performativity and Genesis of the Scene
Sílvia Fernandes
Via Negativa as a Crossing Space: actor training and its connection with the Real
Carla Andréa Lima
Pan Pan Theatre Aesthetics
Noelia Ruiz
At Work with Grotowski on Physical Actions
Patricia Furtado de Mendon？a
Arthur Lessac: an essay on Body energies in actor’s training
Maria Regina Tocchetto de Oliveira
Traces that Emulate Figures: the staging of Samuel Beckett’s Ohio Impromptu
Luiz Marfuz
“A Quite Diferent Life”
Ricardo Carlos Gomes
Essence and Personality in Grotowski and Gurdjieff
Mauro Rodrigues
Becoming Someone’s Son: reflections about organon, technique and tradition in Grotowski’s work
Daniel Reis Plá
Maps and Paths: bodily practices and transculturality
Fernando Antonio Mencarelli
Around Refuse The Hour, Kentridge and his Space-Time of Creation
Fanny Le Borgne
Notes on The Living Room and I am America
Antonio Attisani
Apresenta o: para reler Grotowski
Tatiana Motta Lima
Presence or the Quality of Discreetly Being There
Maíra Castilhos Coelho
The Manuscript Traces of the Spectacle: staging records
Fahd Kaghat
The Art of the Encounter, an Art of Distance: from Thomas Richards and Mario Biagini to Jerzy Grotowski
Yannick Butel
Marguerite Duras/Claude Régy: L’Amante Anglaise, the genesis of a text, the gestation of a theatre
Almuth Grésillon
,
Marie-Madeleine Mervant-Roux
The Laboratory Theatre Spectator’s Paradox
Bénédicte Boisson
Beyond Technology, there Stands Magic
Lúcia Fernandes Lobato
A Meeting at the University of Rome “La Sapienza” or On Onion-Growing
Mario Biagini
For a Theatrical Genetics: assumptions and challenges
Almuth Grésillon
,
Marie-Madeleine Mervant-Roux
,
Dominique Budor
A Tale of Encounters with Lia Rodrigues Cia. de Dan as
Bianca Scliar Mancini
Editorial
Gilberto Icle
,
Celina Nunes de Alcantara
,
Marcelo de Andrade Pereira
,
Márcio Müller
The Art of the Encounter
éric Vautrin
“Sing, something might happen”: about the songs and the act of singing in the research of the Workcenter of Jerzy Grotowski and Thomas Richards
Tatiana Motta Lima
The Production of Theater: stakes and paradoxes
Josette Féral
Notes about “Art as a Vehicle” and the Alchemical Craft of the Performer
Cassiano Sydow Quilici
Expediente
Revista Brasileira de Estudos de Presen？a
Genetics of a Reenactment in Jan Fabre’s Work
Giulio Boato
The Guest-Spectator
Piergiorgio Giacchè
On The Living Room
Thomas Richards
A Prop’s Story: from everyday life to the stage
Filipa Malva
Aesthetic Pleasure: a somaesthetic laboratory in a dance classroom
M？nica Medeiros Ribeiro
The Two Sources of Delsarte’s Lessons: observations and metaphysics
Franck Waille
Theatre and Neurosciences: from expanded intention to the spectator’s performative experience
Gabriele Sofia
“Telling stories has always been the art of telling them again”
Ana Cecília de Carvalho Reckziegel
,
Gisela Costa Habeyche
Incomprehensibility and Hope
Eugenio Barba
Archetypal Gesture and Everyday Gesture: a fundamental binomial in Delsartean theory
Elena Randi
The Interpretations of the Delsarte System in Russian and Soviet Theatre in the 1910s and 1920s
Marie-Christine Autant-Mathieu
Delsarte and Laban: the origins and principles of an aesthetic revolution
S？nia Machado de Azevedo
The Study of Performing Arts Through the Prism of an Anthropology of Aesthetics
Laure Garrabé
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