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ISSN: 2333-9721
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Visual Studies

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主页: http://journals.uni-vt.bg/vr/eng/

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The Role of the Advisor for the Gallery Guggenheim Jeune Establishment in London (1938–1939). The Cultural Stage at London in the End of the 30th Years of the XX Century and the Place of Peggy Guggenheim in it

Specification and Main Paper Quality Parameters

The Global Nomadic Art Project (Gnap) In Bulgaria

Visual Noise as a Painting Method. An Attempt to a Manifesto

Woodcarvings in Temples “St. Dimitar” and “St. app. Peter and Paul” in Svishtov

Bible Messages in the Vitrages of Marc Chagall

Orientalism and Social Sensibility in the Work of Konstantin Velichkov

Andrey Protich – Progenitor of the Bulgarian Art Knowledge School

The Functions of Colour in the Soviet Cinema Films in 60s of 20th Century

“New Art” and “New School”. (From “New School” magazine, 1910)

Reading Martin Jane’s “Skopic Regimes of Modernity”

Intermedia – (Not Only) The Visual in the Hypertext of Contemporary Art

Tool and Form (I). Some Observations on the Graphic Design in Context of the Contemporary Visual Communication and Culture. Attempting For Short Summary and Systematization

The First Pottery Schools in Bulgaria – Foundation of the Contemporary Ceramic Sculpture

The Bulgarian Monumental Sculpture оf the XXI Century. The Public Significance of the Monument

Interpretation of Cultural Heritage by Visual Research in Real, “In Situ” and Museum Environment

Boris Denev as a Publicist. The Artist’s Feuilletons

Motifs and Symbols in Bulgarian National Rivival Iconostasis

The so Called Visual Turn of Contemporary Culture – Myth or Reality?

Hypostasis and an Icon

Anti-conformism and Art. Conceptual Construction

Guidelines for Authors

The Turnovo Period of the Children’s Magazine ‘Mladina” (1891–1915). Artistic Aspects

Publication Etiquette and Ethics

Visual Studies Volume 2/2018

Table of Content

Educational Models in the National Academy of Art (1960–2000)

Sections, associations and groups of Bulgarian textile artists in the postmodern situation

Tissage sans tissu. Le regard vers l’Ouest des artistes en Bulgarie à la fin des années 1960 et au début des année 1970

The Ancient Model – an Aesthetic Program and Method of Teaching During the 17th Century

Wood Carved Ceilings during The Bulgarian Revival

The Authors in this Issue

Tangra Magic Space – The Act of Insight into the Art of Vesselin Dimov

Guidelines

The Ekorshe as a Method and Aesthetic Program

Monumental Rock Images from Megalite Sanctuaries from Balkans

Aesthetic and Artistic Paradoxes

Publication Etiquette and Ethics

The Sirak Skitnik‘s Criticism during the ‘30s of 20th century

Le Corbusier’s Impressions from Bulgaria in ？Journey to the East“

Contents

From Craft to Art. The Form of the Bangle – a Result of Interaction between Material, Form, Function

On the Border of Medium – On the Border of Discourse. Transmedia Practices in the Field of Abstract Geometry

The Monumental Characteristics in the Sculptural Sketches of Lyubomir Dalchev from the Period 1963–1979

Types of Drawings in the Italian Renaissance. Prerequisites to Transform a Drawing into Autonomous Artwork

Authors in the Issue

Early matrix forms of Letterpress printing in Graphics

Phenomenological Drawing – Concept

New Data about the earliest Icons by the Iconographers Nikola Vasilev and Vasil Hristov Bedelev from Shumen

Contemporary’s Art Objects Between Fine and Applied Arts

©2008-2017 OALib, Inc | Public user content licensed CC-BY 4.0 unless otherwise specified. OALib ISSN Online: 2333-9721 OALib ISSN Print: 2333-9705